The Scene of the Incident
Photography & Direction: Kim Sun-ho (@travel.to.romantis)
Videogeraphy: EQ Kim (@eqkim)
Art: Myeongwangsung (Pluto) (@myeongwangsung)
Fashion: Park Sun-yong (@kkonyong)
Prop: Kim Ho-rim (@nutukyi)
Fashion Assistant: Lee Ji-hyeon (@hyeonible)
Model: Lee Jo-hwa (@harmonyjohwa), Kim On (@own.npc), Lee Shin-young (@shiny.oung), Hong
Yae-jin (@2luning), Lee Sang-jun (@blurbadu), Jung Jong-hoon (@jonjondotdot), Kim Ho-rim
Location: Studio ABMS (@abms.kr)
Love Letters
Photography: Jordan Drysdale (@jordandrysdale )
Set Design: Henry King (@you1anna)
Floral: Blossm Bby (@blossmbby)
In collaboration with Indra Davaatseren (@ubereatzz)
High Hopes
High Hopes
Photography | Alexander Yantyushev
polo MOE, boxers TRANG
Photographer: Alexander Yantyushev (@yantyushev)
Photographer’s Assistant: Vlad Daybov (@dopotopnyy)
Model: Andrew (@akumandy), Savely (@saveliy_povyshev), Dima (@holidayyzz)
Napoli Napoli Napoli
Napoli Napoli Napoli
Book launch and photography exhibition of Brett Lloyd’s love letter to Naples
As one of the most quoted contemporary names in fashion publications, British photographer Brett Lloyd never ceased to express his fondness for Naples in his photography. He compiles his affection for Naples in his new book “Napoli Napoli Napoli“.
Born in the north of England, Lloyd spends most of his time in Italy, particularly in Naples, a city he fell in love with and has been visiting regularly for twelve years. It is to this city that Lloyd dedicates the book, which recounts ‘a day in Naples’, an excursion from dawn to dusk that meditates on classicism, the cathartic power of the sea and the unique influence of the ancient landscape.
Coinciding with the book launch, Lloyd held an exhibition in Paris during ‘Paris Photo’ – Paris’ answer to photography week on November 10th, 2022. Another exhibition will take place in Spazio Maiocchi in Milan on November 17th from 9 am to 5 pm (according to the space’s opening hours). Lloyd will also be launching specially designed t-shirts to promote local businesses, 100% of the proceeds of which will go to support the non-profit organisation ‘Friends of Naples’ for the restoration of the city’s historic structures. The t-shirts will be made by the Naples design team Vienmnsuonno1926.
To understand the backstory of the book and his creativity, CAP 74024 invited Berlin-based PR office Reference Studios to have a talk with Brett Lloyd, which Lloyd talked about his discoveries, experiences, creativity and ties to his beloved Naples.
Why napoli? Or better, how did you discover napoli and what brought you there for the first time?
It was 12 years ago, on my way to visit a friend who lived in Sorrento. I arrived late into the city and missed my last connecting train to the Amalfi coast so I was stuck in this city I had not been to before. I wandered into the historical center through Porta Nolana. Discovering the city for the first time at night. It was very impactful. The infrequent yellow lights brought shapes out of the walls and alleyways, it was a dream. I had left by mistake my passport in Rome so no hotel would accept me as a guest that night but I was more than. I was happy to spend my first night in Naples walking around exploring until the following morning, after that night I was hooked for a lifetime.
Which reasons made you go back there so often for so long?
The list is endless, I think the chief reason could be the calm I feel being surrounded by the chaotic beach life in Naples. In a great crowd and bustle I feel tranquil and solitary than on other occasions and really manage to relax. You have the ocean, the volcano, the roman ruins, the vistas. You need only to walk along the foreshore, and keep the eyes wide open, to see the most unequaled scenes. I have been going for 12 years now and you would expect some sense of complacency but there is none. Each day I see something so remarkable I think it’s impossible to see more. Always something new, some fresh absurdity.
As pretty much all southern italy, napoli can be very warm and welcoming but also exactly the opposite; what was your experience in this sense?
It’s for this reason that it is magic. It reminds me a lot of my upbringing in a working class town in Yorkshire, a poor town with great warmth but a lot of worry, a great amount of cares and concerns. My book is only a slice of Neapolitan life. I focus on life by the water, the beaches and the time in Most people’s day when they can relax and unwind. The cathartic power of the sea. Naples has far too long been documented only on the harsher realities that exist there, and although. Yes it’s a part of the culture since it’s a relatively poor city, it should not be the only vision that’s presented to the world. I hope my book can shift some of those preconceptions.
What are the main changes you saw in the city throughout the past 12 years?
Not much thank goodness, it is not a city that changes, hallelujah. One great thing is the money spent in the city recently on the restoration of the cultural landmarks in preserving them. Restoring the damaged churches and historical landmarks for future generations to enjoy. I have collaborated with one of the charities in the city “Friends of Naples” who do just that, I have made four t shirts that Celebrate four of my favorite businesses, all proceeds of the sales go to the charity.
How did Napoli impact your artistic production?
The book was photographed over four summers, starting in 2018. It was refreshing to take my time, great to work on a project that would be ready when it’s ready. Coming from the fashion photography industry we are used to tight deadlines. This was the opposite. Pasquale Nappi became my muse who I would shoot each Summer, we would work on images together, some spontaneous as we were having a day on the rocks whilst others such as with the golden face portrait we would plan in advance. My limited Neapolitan meant that a lot of the portraits were achieved with little to no dialogue between us, so the beauty in those shots for me are the peoples own creative input, their instinctive posing and glances at the camera. Full of soul. I am an obsessive of archaeology and ancient history, I’m in my element along the bay of Naples. From the ancient baths at Baia, along Posillipo to Pompei and even Paestum, it was a joy to learn and develop my technique of landscapes and still life, just me, my Rolleifelx and the ancient Roman and ~Greek fragments of those civilisations.
The Darkest Hour
Crushed by grief and sorrow. Lost alone. Attempting to communicate with no words. Sunrise after this darkest hour is the one and only hope for us.
bags GAER
Photography: Daria Vengerskaya (@_vengerskaya)
Art Directon: Daria Vengerskaya, Varvara Vysotskaya
Model: Varvara Vysotskaya (@vysotskaya.vv)
SELF by SAINT LAURENT
SELF by SAINT LAURENT
An international photo celebration held simultaneously in six different cities.
For the seventh iteration of SAINT LAURENT’s art project SELF, the Parisian fashion house have partnered with six photographers from across the globe to display exhibitions in six separate cities. The works on show honour the importance of self-expression and the unique personality of the SAINT LAURENT brand. Creative Director Anthony Vaccarello personally selected photographers for the project from the pioneering photographic cooperative Magnum Photos.
In New York, the photographs of Alex Webb depict Los Angeles’ Piñata, Flower, and Fashion Districts, integrating his own recognisable vibrant style into the identity of SAINT LAURENT. In Paris, Harry Gruyaert’s shot capture fascination with the liminal aura of airports. The photoset shot at the city’s Charles de Gaulle airport employs prominent use of primary colours to display the ‘strong impression of being between two worlds’ as Gruyaert himself puts it. Olivia Arthur’s show in London, titled So not so offers us an exploration of the physical world and human bodies, as a respite from the virtual worlds that have ‘grown to become a genuine reality’.
TOKYO – Takashi Homma
SHANGHAI – Birdhead
As well as the three aforementioned members of the Magnum Photos collective, Vaccarello has also looked to three guest members hailing from the Far East to complete the SELF 07 series. In Seoul, Daesung Lee’s works document the impact of COVID on his relationship with the natural world and offers a reflection on his rural upbringing. In contrast, Takashi Hamma’s collection in Tokyo uses the camera obscura technique to capture the hustle and bustle of the city’s urban centre, and the way in which the pressure of the city relates to the fashion seen on its streets. Completing the set, photographic duo Birdhead are digitally presenting work in Shanghai. They have aligned the images in a grid format, inspired by the photographic matrix and employing inverted negatives for the first time.
The audacious international exhibition is open in all six global locations from June 9th 2022.
More information on the series can be found on the SAINT LAURENT website.
PARIS – Harry Gruyaert
SEOUL – Daesung Lee
LONDON – Olivia Arthur
NEW YORK – Alex Webb
Text: Harvey Byworth-Morgan
Julian
coat JENNIFER MILLEDER
crystal wig DISCOCAINE
metal underwear DISCOCAINE
tights WOLFORD
Artist: Julian Khol (@julian_khol)
Photography: Hilde van Mas (@hildevanmas)
Artistic & Creative Direction: Thomas Reinberger (@thomas.reinberger)
Styling: Marlena Gubo (@marlena.gubo)
Make-up: Sarah Bzoch (@sarah.bzoch)
Donnie Dix
Shot in New York City, Donnie Dix is a tribute to the brashness of the 80s. Directed by Sascha Taylor Larsen and produced by Oliver Finley, it is a parody of the type of naive self-obsession which characterised this period in our cultural history. The main character, played by Eli Cusick, embodies the absurdity of an era filled with excess. He represents a particular type of machismo coupled with a total lack of personal accountability. In just over three minutes, Donnie Dix’s character arc unfolds as he moves from total self-assurance to an increasing self-awareness, then the self-doubt which ultimately paralyses him.
Donnie Dix is a representation of the collective consciousness of the late 80s based on the films, music, literature and cultural references we have been brought up with. This playful mood is reflected through Josh Herzog’s cinematography, Alex Hass’ lighting and Alexia Salingaros’ colouring. The feeling of the late 80s is also portrayed through Alexandra Ruggieri’s production design, which was influenced by old 1980’s Ikea catalogues and postmodernist design. The styling choices of Gaby Sprenkle, who was inspired by iconic productions such as Miami Vice and The Lost Boys, also served to create the 80s vibe.
The singularity of this music video is that the whole concept stems from the lyrics, written by Taylor Larsen himself. These lyrics reflect a young man who exudes self-assurance, but underneath it all is riddled by self-doubt. Based on this vision, Taylor Larsen asked award-winning composer Eivind Hannisdal to create a sound reminiscent of Jan Hammer’s Miami Vice soundtrack but filled with irony. Hannisdal recreates an authentic 80s sound with live musicians and Taylor Larsen’s humorous lyrics are further exaggerated by this use of the 80s sound.
Donnie Dix is currently touring across the international awards circuit, with the first screening taking place at the Academy Award® qualifying Norwegian Short Film Festival in Grimstad between June 8 – 12, 2022.
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Videography Director & Editor: Sascha Taylor Larsen (@satisfiedsascha)
Producer: Oliver Finley (@oliver_finley)
Photography Director: Josh Herzog (@josherzog)
Casting Director: Cameron Debe (@camdebe)
Production Designer: Alexandra Ruggieri (@sweatticoat)
Costume Designer: Gaby Sprenkle (@gabriellalorensprenkle)
Hair & Make-Up: Elena Kaleda (@elenakaleda_makeup)
Music & Producer: Eivind Hannisdal (@eivindhannisdal)
Art Assistant: Alyssa Franks (@a_list_of_ranks)
Cast: Eli Cusick, Greg Valenti (@gregvalentiofficial), Daddy (@directordaddy), Erik Ramberg, Christina Springle (@springlesprings), Gjermund Gjesme (@gjermspiration), Christopher Torem (@toremof_the_future), Verena McBee (@mcbeellangelo), Amelya Salva