Cavier was raised just outside of Detroit by the toughness of the city and the love of his family. His grandmother surrounded him with care and soul food. His mother, the art teacher, introduced him to his calling. His father ingrained in him an impeccable set of values and a winner mentality. Basketball took Cavier across the states and back again, followed by a successful modeling career around the globe. When he found himself in South Africa, he spent 2 years there distilling inspiration and motivation. Then, finally, a little more than a decade ago, New York became his ground.

His work shares collection spaces with the creations of Picasso and Basquiat. And to think, his artistic journey hasn’t even reached its peak yet.

In July 2020, Cavier started on a new, large-scale painting (7x6ft), that he later named Never Drop Your Guard.  He invited me to document this endeavor. I spent 8 days recording every step of the way. The result is a documentary film called “Inside Color” that will be available in 2021.

Until then…

If I had to describe the New York Art scene to someone, anyone, I’d point them to the direction of Cavier Coleman. He is an undeniable embodiment of it; a multilayered, unstoppable force of nature that effortlessly maneuvers between the many artistic disciplines orbiting him in his spacious studio on the border of Brooklyn and Queens. Within an hour, Cavier can effortlessly shift his focus from painting, to tending to his large nursery of plants, and finally closing that hour producing beats and freestyling lyrics with friends. His talent doesn’t just end there. Cavier is also an accomplished photographer and a gifted basketball player. (The Art World should thank all and every circumstance that prevented him from thriving in the NBA.) He is not a perfectionist; he has an open mind and willingness to learn, evolve, grow and change. But he does give the best of him at any given moment, at any given encounter; be it a career related matter or an interaction with a friend. My very first day at his studio, his curt “no’ to my readiness to shoot a portrait of him took me aback. Isn’t it why I am here? It wasn’t till later I realized I had to get to know him better to understand; he was coming from a very beautiful place and that was a perfect example of him only wanting to share his best with the world. He calls himself delicate. I, however, would place him among the strongest people I have ever come across. He is honest and unapologetically himself; a wild creature with a sensitive soul.

Who is Cavier? 

Cavier is a guy that has seen, conquered, and failed, but always stayed focused on his journey. I identify with Art. Initially, I didn’t know what I was going to be, what I was going to do. It was scary. However, my mother was an art teacher, and that’s where the the idea started, even though she had no control of what I was going to be able to become. My father moved to Georgia and that really set a whole new step in my life. Being from the area I was from is very scary. With all that complexity of different upbringings, different family memories, I was able to find myself through all of that. I believe it was something difficult, but I channeled certain things and certain times, and they gave me real presence and real openness to whom I needed to be and whom I am now. It’s not about where you really start, it’s about where you finish. I believe I was able to do that, basing my journey on my curiosity; wanting to figure out the universe and society and how we really should interact with each other.

As I got older, I had two breaths of art. First, I was a model. To be honest, I was able to see myself as a muse to a lot of photographers. In a way, I was able to reflect on myself in the photos. I wasn’t just posing. I was becoming an embodiment of my environment; which led me to picking up the camera. And with that came the visualization and clarity of color, frequencies, lines, composition. And then painting became the primary focus for me. In South Africa, there was the initiation to that calling; which didn’t start with color. I just knew I wanted to make art again. So I did. I started doing charcoal drawings. Eventually, I came back to New York. I was 20 years old. I moved into an apartment in Park Slope and here I am, more than a decade later, still making art.

What is it like to be an artist in New York in 2020? 

(Chuckles) Well, to be an artist in New York City is… interesting. There is no time when I look back and say, “I didn’t do how I wanted.” I do everything how I want it. And I think New York still gives that lifestyle of being an artist but also having a voice, as long as it comes across in the right way. Being an artist that’s living and thriving here, I want my voice to be very prevalent; to reach the youth, older generation and everyone in the middle. And those things are important. If I could do that, I can carry a different message amongst people to understand that we really are here for one thing and that is to love. To love, to care for each other and actually to heal earth. There are more, more, more and more things that we could be doing, but if we just focus on these powerful things, it will unify us.

Do you think art can exist separate from politics? Are you a political artist? 

Well, that depends on a lane you are trying to create your art in. I decided I wanted to be political. That’s formidable to any popular artist. Artists that are in demand always went the political route because they have the responsibility to deliver to the people and the public. To me, art always followed that way and that rhetoric of being enjoyable, but also being something that is taken seriously. I don’t care what age I am, it’s more of a presentation of what is now. The cold hard fact is that a lot has changed but a lot hasn’t changed, and that’s the balance of equality and inequality in society’s view. So as an artist, my job is to fix the narrative and give perception of things that are not clarified. The version of the art world that I am creating is, more or less, bringing people together; doesn’t matter the color.